Young virtuoso pianist Vasco Dantas records his second CD with KNS Classical devoted to Franz Liszt

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Liszt – Grandes Études de Paganini, S.141 (1838, revised in 1851)

Having just arrived in Paris from Vienna in 1831, “Le petit Liszt” heard Paganini (1782 -1840) for the first time, and was entranced by the unfettered expressiveness of his playing. 
“What a man, what a violinist, what an artist!” the 20-year-old immediately declared his desire to effectively create, on the piano, the equivalent in technical facilities and expressive potential in the same way that Paganini had done for the violin.

One of Liszt’s attempts to reach the strata of virtuosity and genius he had witnessed in Paganini was completed in 1838 and revised 13 years later. This set, primarily called Études d’exécution transcendante d’après Paganini, consisted of six etudes that were all (except for no.3) transcriptions of the 24 Caprices for solo violin, Paganini’s op.1 (1802-1817). The Etudes were dedicated to Clara Schumann.